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"Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown. "Well, really, now you say it," says Geoffrey, as though suddenly struck with a satisfactory idea, "it is uncommonly like Nolly's tale: when you come to compare one with the other they sound almost similar." "What a disagreeable-looking man that is over there!" she says: "the man with the shaggy beard, I mean, and the long hair.".
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Conrad
For all this Lady Rodney is devoutly thankful. She is glad of the girl's absence. She has no desire to exhibit her, prejudice making Mona's few defects to look monstrous in her eyes. Yet these same defects might perhaps be counted on the fingers of one hand. "Why, yes, of course he can," says Mona, without the smallest hesitation. She says it quite naturally, and as though it was the most usual thing in the world for a young man to see a young woman home, through dewy fields and beneath "mellow moons," at half-past ten at night. It is now fully nine, and she cannot yet bear to turn her back upon the enchanting scene before her. Surely in another hour or so it will be time enough to think of home and all other such prosaic facts. Then follows an uncomfortable silence. "Well, I rather think he has Violet on his mind. Did you ever see anything so spooney as they looked all through dinner yesterday and luncheon to-day? I didn't think it was in Violet.".
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